[1] Paul Morrissey interviewed by Jonathan Rosenbaum in Oui magazine, March 1975.

[2] Bob Colacello, Holy Terror: Andy Warhol Close Up (NY: Harper Collins, 1990), p.36

[3] “Bruce LaBruce on Gen Z, GHB, and Double Penetration”, by Jake Nevins, 16 May 2024, https://www.interviewmagazine.com/culture/bruce-labruce-on-gen-z-ghb-and-double-penetration

[4] Colacello, Holy Terror, p.36

[5] Maurice Yacowar, The Films of Paul Morrissey, Cambridge University Press, p124

[6] Yacowar, The Films of Paul Morrissey, p14

[7] William Grimes, “A Warhol Director On What Is Sordid, Then and on MTV”, New York Times, 26 December 1995

[8] Yacowar, The Films of Paul Morrissey, p16

[9] Paul Morrissey, speaking to the author in Eyeball magazine, #4, 1996, collected in The Eyeball Compendium, FAB Press, 2003

[10] Ronald Tavel, speaking in the BBC documentary “Warhol’s Cinema: A Mirror for the Sixties” (1989).

[11] Patrick S. Smith, Andy Warhol’s Art and Films (Michigan: UMI Research Press, 1986), p.502

[12] Gordon Baldwin, 25 September 2006, quoted by the website Warholstars.org

[13] Colacello, Holy Terror, p34

[14] Maurice Yacowar, The Films of Paul Morrissey, Cambridge University Press, p20

[15] “Warhol Shoots the Surf”, by Aaron Sloan, Los Angeles Free Press, 26 July 1968, p31

[16] Paul Morrissey, speaking to the author in Eyeball magazine, #4, 1996, collected in The Eyeball Compendium, FAB Press, 2003

[17] Quoted by David Morgenstern in “Warhol’s Heat”, Los Angeles Free Press, 27 October 1972, p3

[18] https://www.interviewmagazine.com/film/san-diego-surf-warhol

[19] Ibid.

[20] https://www.jjmurphyfilm.com/blog/2012/10/14/san-diego-surf/

[21] Stargazer by Stephen Koch, pub: Marion Boyars, 1985, p.80

[22] Colacello, Holy Terror, p.45

[23] Little Joe, Superstar: The Films of Joe Dallesandro (California: Companion Press, 1998), p.90

[24] Paul Morrissey interviewed by Jonathan Rosenbaum in Oui magazine, March 1975

[25] “She’s Beautiful, Plucky—And a Man”, Vincent Canby, New York Times, 27 February 1972

[26] “…Or Has Andy Warhol Spoiled Success?” by Grace Glueck, New York Times, 9 May 1971

[27] But the People are Beautiful,” by Sally Beauman, The Telegaph Magazine, 5 February 1971

[28] Who Is Sylvia? ‘I’m a Big Star’ by Chris Chase, New York Times, 31 October 1971

[29] Colacello, Holy Terror, p.131

[30] Morrissey’s Ad-Libbed ‘Heat’ Whams N.Y. Fest; Could Have B.O. Wattage Too”, by Addison Verrill, Weekly Variety, 11 October 1972, p.7

[31] ibid., p.27

[32] Cinema: A Festival’s Moveable Feast”, by Jay Cocks, Time Magazine, 16 October 1972

[33] “Andy Warhol, Paul Morrissey Stirring Things Up In Rome”, Daily Variety, 14 March 1973, p.12

[34] “Morrissey: Film Belongs to the Actors”, by Terry Kay, Atlanta Journal, 16 October 1972, p.35

[35] “Andy Warhol, Paul Morrissey Stirring Things Up In Rome”, Daily Variety, 14 March 1973, p.12

[36] Colacello, Holy Terror, p.181-182

[37] ibid, p.237

[38] Pat Hackett (ed.), The Andy Warhol Diaries (NY: Warner Books, 1989, p179

[39] Seattle Gay News, 25 May 1982, p.15

[40] “Hey Mary!” by Steve Warren, Bay Area Reporter, 22 May 1986, p.24

[41] “Boy Prostitutes Linked to Spies”, Newsday, 27 July 1982, p.3

[42] “Morrissey movie keyhole view of ugly world”, by John Fitzgerald, The Gazette, Montreal, 31 March 1983, p.D-10

[43] ibid.

[44] “A Very Seamy Side of Life”, Forty Deuce review by Stephen Holden, New York Times, 19 January 1996

[45] “Warhol Mind Warp” by Richard A. Ogar, Berkeley Barb, 1-7 September 1967, p.9-10

[46] ibid.

[47] ibid.

[48] “Behind the Myth” by Donna Rosenthal, New York Daily News, 14 June 1988, p.29

[49] “Relative Woe by the Score” by Ben Yagoda, Philadelphia Daily News, 7 October 1986, p.62

[50] “Paul Morrissey’s ‘Spike’ filled with lopy filmmaking style” by Lewis Beale, The Register (Monmouth County), 11 November 1988, p.8C

[51] Beethoven’s Nephew Hits a Flat Note’, The Gazette, 23 April 1986

[52] “Morrissey – From Flesh and Trash to Blood for Dracula” by Melton S. Davis, New York Times, 15 July 1973

[53] Paul Morrissey interview by Jonathan Rosenbaum, Oui magazine, March 1975

[54] William Grimes, “A Warhol Director On What Is Sordid, Then and on MTV”, New York Times, Dec. 26, 1995

[55] “A Filmmaker and a Castle, Both With a View”, by Robin Finn, New York Times, 18 July 2001